Bakhtawar Mazhar – It is a name that will be on your lips if you, like so many others, have been delighted by Parmenique, the drama that puts the light of the young painful generation for control and independence. As Sadia – or “Maya mom” because she was crowned with love by online viewers – Bakhtawar is a removed step from this aforementioned young generation, but this does not mean that her impact on the series has had a limited impact. The Sadia of Bakhtawar has won hearts on the left, right and center, sealing the agreement in a viral scene as it goes almost wild by protecting her daughter from a father on the war journey. And now, during an appearance on the Podcast Rafay Mahmood, the actor remembers the way she was blown away after this particular scene spreads like forest fires on social networks. Impact of “this” scene “when this scene became viral, people did not even know my name,” recalls the theater veteran, known to film his criticism for his performance in Cannes in Flames. “They would call me a mother of Maya.” Being known only as the mother of the character of Aina Asif made the actor smile, with Bakhtawar adding that the way she found herself in the minds of fans of the show had left her mark. “People started to leave comments on YouTube clips. He did not hit me that people were talking about me – what struck me was how they talked about me, and why. “Maya’s mom”, the way she defended her daughters, the way she protected them – she was there for them. I liked it. ” But the impact of the emotional scene where the “Maya mother” makes physically on the way that her husband beat their daughter was much deeper than Bakhtawar could have foreseen him. “It opened the valves to other things, and it was so emotional,” said Bakhtawar with admiration. “Throughout the week, I was crying until 2 am after receiving thousands of messages from people sharing their painful personal stories.” An involuntary confidant The thousands of messages flocating in the Bakhtawar reception box following his performance – men and women, boys and girls – all are redesigned to one thing: parental violence. “These are things that they did not think they could share with someone else, not even their close friends,” said the actor. “In our culture, there is this stigmatization of never going wrong your parents – but they wrote to me. So many people have said to me:” Please, madam, it’s not for sharing, it’s only for your eyes, we share because we feel the link. We have sort of connected with you. “This connection, born from a scene in front of a camera which was in turn designed in the spirit of the scriptwriter Kiran Siddiqui, led to an invisible current flowing between Bakhtawar and those who had suffered from their parents.” Someone wrote and said that when their mother took them, she too was beaten – and they stressed that in the real world, [Sadia] would also have been beaten just for defending her child. Among the messages, Bakhtawar found the most painful, however, there were stories where mothers remained passers -by after looking at their children suffering from physical violence. She didn’t say a word. She did not even recognize it the next morning. She simply reproduced it under the carpet ”, “Bakhtawar linked. However, in the midst of all the dark stories of childhood trauma, a particular message stood out – the story of a mother who removed a life lesson by looking at the fictitious Sadia becoming the protector of Maya.” Someone wrote: “ I am a mother, I have daughters, and whenever my husband increases on my voice, discipline together as a husband and wife, or if I had to say something, “recalls the matriarch Parwarish, because she stressed the importance of seeing the questions through the objective of a child.”[She added]”Right now, my daughters are young, but I’m so happy to have seen this scene, because now I see how important it is for the children of this situation to know that their mother is there. At the bottom of the line. The tsunami of traumatic personal stories floods the Bakhtawar reception box has opened your eyes to the amount of invisible pain that is still going to society. What can I tell them? Bakhtawar credit the writer Kiran to stick to the heart of the story of Parwarish without adding unnecessary garnish. There were no diapers. She said it’s like that. With the comments on YouTube that salute the “phenomenal” performance of Bakhtawar as “giving goosebumps”, one thing is clear: the powerful scene where Maya’s mother becomes a tour de force has obtained a place in the hearts of fans parwarish – for reasons rooted in more than acting alone.
Play Maya’s mother in “Parwarish” opened a flood of traumatic stories: Bakhtawar Mazhar
