- Star Wars Andor Creator Tony Gilroy canceled plans to publish the scripts of the show
- The scripts of the first season were to be released, but the AI is the reason why they are not published
- This is part of an increasing trend in the content on which AI models are formed
AI companies will do everything to get their hands on the equipment to train AI models – just look at what’s going on with musical streaming services. This is only a matter of time before these companies started to target other areas of the entertainment industry, but the creator of one of the best Disney shows more already adopts a position against the imminent reign of AI.
Tony Gilroy, the creator of Star Wars spin-off series Andordisconnected on his initial plans to publish the scripts of the first season of the show for fear that his work can be used as a material for the training of AI models. In an interview with Collider, Gilroy shared: “I wanted to do it. We put it together. It’s really cool. I saw it, I loved it. AI is the reason that we are not.
The decision to save is not easy for Gilroy, who announced his intention to launch a website not only And that Written elements but also a selection of conceptual art in 2023.
However, despite this difficult decision before the imminent release of Andor Season two on April 22, it is clear that Gilroy has great concerns concerning the threat that AI has on creative people – and I am happy to see that more artists take measures to protest against the place of AI in the entertainment industry.
I repeat, we are witnessing a cultural genocide
For AI, “authorization” is a word that ceases to exist. Gilroy is only one of the many figures concerned that have actively expressed the need to protect their work in a culture where AI infiltrates streaming services daily – mainly for reasons of user experience. However, movies and television programs themselves remain open targets for AI to steal for training purposes.
Although notable personalities such as Christopher Nolan called for more strict restrictions on AI, this is the first time that I have seen the threat of AI, a screenwriter acts like this since the SAG hits. But AI has only scraped the surface with the film and television – you get things like that all the time with music.
An excellent example is the silent protest album, Is this what we want?which was published in the light of a proposal from the British government allowing IA companies to use music that is suitable for copying to form models and algorithms.
Kate Bush artists in Annie Lennox have gathered to compile a silent album of ambient songs from empty creative spaces. Although this does not actively make the government change their minds on the proposal, it succeeds in showing what it could mean for the future of the music industry while using streaming profits to collect funds for musical charitable organizations.
Scriptwriters and musicians should be able to share and publish their work without fear of its use to improve AI models. Some of us actually like to read the scripts behind our favorite programs.
I have no doubt that the developers of AI will eventually be bored to take existing scripts and music to improve algorithms and then find a way to completely infiltrate the creative process.
Although many music software have already been able to make a quick beat (thank you, Suno), how long will it last before the music albums generated by AI-NE hide or when the films generated by the functions have a thing?
