I will always remember seeing Sally Mann’s photographs for the first time – it was when I was studying photography at university, about 25 years ago. My first taste was its polarization Immediate family series – monochrome images mainly of his children, shot on an 8 x 10 inch sheet of film.
There was a timeless beauty in these photos, which were painstakingly made with a Deardorf large format 8×10 bellows camera — if you’re interested, she describes her workflow in this CBS Mornings feature.
“I’m finally in the modern world!”
Mann explained: “It’s so time-consuming and laborious to work with an 8×10 camera, and film is so expensive now. I hate spending so much money on each shot.
“And so you’re always second-guessing yourself, ‘Is this good enough? Is this really worth $12?’ But with digital, you shoot, and if you don’t like it, boom, it’s gone, off your computer.”
Sally Mann, born in Lexington, Virginia, where many of her best-known photos were taken, is now 74 and embraces new camera equipment with contagious enthusiasm, although she has kept a foot in both camps.
“I have this great old lens and it doesn’t handle light well, so there’s this little glow to everything. I had the goal before [digital] camera – it’s an old Leica lens from the 1940s,” she explained.
And to add that retirement is not an option: “I am a beast of burden. I am a peasant, I just put on the harness every day.”
Mann has an upcoming touring exhibition with the Gagosian gallery network, featuring intimate portraits spanning decades with her husband of 55 years, Larry, who has muscular dystrophy.
“I hope the work will be considered in its entirety,” she said. “I don’t want to always be known just for family photos. There’s so much more to come.”
The full conversation is available on the BBC’s Desert Island Discs page for UK viewers.
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